Rating: 5/5
Synopsis:
After Owl moves out, Werewolf Jones moves in while Megg and Mogg's life
deteriorates as they struggle to make ends meet in the midst of their
psychological turmoil.
My Thoughts: Finally has Simon
Hanselmann's Megahex series succeeded in meeting the level of character
a depth so laudingly described in the blurb of the previous books which
primarily focused on the characters' juvenile and sophomoric
misadventures and mishaps. While I certainly found the lowbrow stoner
comedy in the preceding volumes knee-slapping fun, it was nice to see
the series takes a thematic shift from an episodic narrative to a more
mature dynamic one where the readers are able to sympathize or even
empathize with Megg and Mogg and, of all individuals, one can think of,
Werewolf Jones's dejection as they become more self-aware of the
emptiness in their reckless lifestyle of sex, drugs, and mischief with
Owl's complete absence. Meg's childhood, in particular, was pretty
screwed up and surprisingly poignant in a way that made her demeanor
understandable without condoning it. To put in other words, the
characters were more well-rounded and three-dimensional here than in the
previous comics where they were mostly lopsided jerks for the sake of
being lopsided jerks. While there was some of the scatological and dark
humor which initially defined the series, much of it here felt like a mere reflection of the characters' dismal vanity.
Final Thoughts:
Bad Gateway marks a monumental tonal shift in the Megahex graphic
novels worth the perusal for both Simon Hanselmann fans and those losing
faith in his ability to craft mature stories. I hope the next book
focuses on Owl's life after moving out.
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